Although carriers of interactions and familiarity, objects stripped of context converse with the essay” Generic objects” by gene Moreno and Ernesto Oroza, and reflect on alienation and speculate possibilities with re-location. "The generic is globalisation’s inevitable aesthetic" the essay says, and painting became a tool to relook the object’s smooth, standardized existence into something tactile, visual, non-utilitarian perhaps. Made this in a period of ‘figuring it out’ after quitting a full-time job, Tacit Tetris is an enquiry into blankness arising from withdrawal from a system of relations through quotidian, utilitarian objects.